Doctor Brown's Image of the Future

My father, Dr P.T. Brown, recently told me a very striking image he had had of a possible future for us all. He was extrapolating from the fact that so many of us are communicating less & less face to face, & more & more via screens & icons: via laptops, tablets, mobiles or cells. He speculated that in future, each of us might carry masks like Venetian carnival masks which folded up like fans. We would each carry say seven of these, one depicting happiness, one sadness, one anger, one grief & so on: & whichever emotion we wished to display, we would unfold the relevant mask & put it to our face. I find this possibility convincing, compelling & chilling.

I would like to add an image I thought of for Life itself:

You are walking down a long back street in a Northern town on an unseasonably cold late March afternoon. The street is a terrace of houses on one side & on the other is a railway line. Despite the houses, the street is almost deserted, & there is no sign of life apart from the back of a huddled figure walking far in front of you & in the same direction. An icy east Wind blows pieces of rubbish round & round in small eddies. At the top of the street, the figure in front of you turns the corner & disappears, never to be seen again.

The Count of Monte Cristo

Alexandre Dumas (1802-70). This image was taken by Nadar in 1855.

I've just recently finished The Count of Monte Cristo by Dumas. I thought it was absolutely brilliant & thoroughly recommend it, especially the Penguin Classics edition (ISBN 9780140449266), which is what I read. This is translated by Robin Buss & has the great advantages of being unabridged & unexpurgated. I want to quote a bit of dialogue from near the end of the novel. It doesn't give any of the plot away. It is a conversation between the Count & his friend Morrel. The latter speaks first:


" 'Count, you are an encyclopedia of all human knowledge, & you strike me as someone who has come down from a more advanced & wiser world than our own.'
'There is some truth in that, Morrel,' the Count said with a melancholy smile that transfigured his face. 'I have come from a planet called sorrow.'"


- Ch.117 'October the Fifth', p.1235

Dante

Dante Alighieri (c.1265-1321)

 This is a pendant to the last post. Ted Hughes' mention of Dante made me think of Dante's beautiful sonnet from Vita Nuova :


As I rode out one day not long ago
by narrow roads, and heavy with the thought
of what compelled my going, I met Love
in pilgrim's rags coming the other way.
All his appearance seemed to speak such grief
as kings might feel upon the loss of crown;
and ever sighing, bent with thought, he came,
his eyes averted from all passers-by.
Yet as we met he called me by my name
and said to me,'I come from that far land,
where I had sent your heart to serve my will;
I bring it back to court a new delight.'
And then so much of him was fused with me,
he vanished from my sight, I know not how.


- Vita Nuova, 9. trans. Mark Musa (0192839357), p.15-16

Robert Graves / Waterloo

Robert Graves (1895-1985), author of 'Goodbye to All That' & 'The White Goddess'

My father had a most appropriate response to reading Bulletins , chiefly Rochester, Jim Morrison & the Uses of Obscenity  I would think (you can find that post by clicking on the label 'obscenity' at the bottom of this page). He sent me a terrific little book I had never heard of: Lars Porsena, or the Future of Swearing by Robert Graves. It was published by Kegan Paul. Someone has pencilled '1936' in the front, but I showed it to Alex (my friend who is a 2nd-hand book dealer), who was as intrigued as me, & a little research showed us it was probably published in 1927. It is an essay on the history, nature & possible future of swearing. Its title, at first sight rather odd, comes from two factors. First, it was written as part of a series of such essays called Today & Tomorrow, & you can see adverts for others in the series in the back of the book. The titles almost all follow that formula:-  [Classical reference: what the essay is about] e.g. Daedalus, or Science & the Future ; Thrasymachus, the Future of Morals ; etc. etc. You get the idea. Second, Graves has chosen Lars Porsena in particular because it is a reference to the 1st line of Macaulay's poem Horatius  (from his Lays of Ancient Rome , hugely popular in the 19th c. - Lars Porsena was an Etruscan king who attacked Rome in its very earliest days of being a Republic):


"Lars Porsena of Clusium, by the Nine Gods he swore
That the great house of Tarquin should suffer wrong no more.
By the Nine Gods he swore it, & named a trysting day,
And bade his messengers ride forth,
East & West & South & North,
To summon his array."
 

Horatius defending the bridge into Rome against the invading Etruscans
 

I want to share with you an excerpt from this book by Graves which I found particularly funny: then Graves' poem The Persian Version; then the last paragraph of Lars Porsena &c. ; & to finish, an account by a soldier who was at the Battle of Waterloo of what it was like.

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So - the excerpt -


"The ingenious General G------r, so remarkable an artist in swearing that he must one day earn a paragraph in the revised D.N.B., used this form of profanity with the happiest effect. Once, when inspecting the famous "Z" Battery of the Royal Horse Artillery, he was dissatisfied with its response to his order "Dismount !" He bellowed out: "Now climb back again, you pack of consumptive little Maltese monkeys !" "Z" Battery complained to Headquarters of this affront, & General G-----r was in due course asked for his explanation & apology. He gave it briefly as follows:

'Sir,

I have the honour to report that, on the occasion to which I am referred, my order to dismount was obeyed in so slovenly a fashion that for the moment I was deceived. I concluded that I was actually assisting at a performance by a troupe of little Maltese monkeys, amusing enough but crippled by disease. I tender my apologies to all ranks of "Z" Battery for my mistake.

I have the honour to be, Sir,

Your obedient servant,

J. G-----r
Major-General '"

- Lars Porsena, or the Future of Swearing, p;14-15

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Robert Graves

The Persian Version


Truth-loving Persians do not dwell upon
The trivial skirmish fought near Marathon.
As for the Greek theatrical tradition
Which represents that summer's expedition
Not as a mere reconnaissance in force
By three brigades of foot and one of horse
(Their left flank covered by some obsolete
Light craft detached from the main Persian fleet)
But as a grandiose, ill-starred attempt
To conquer Greece - they treat it with contempt;
And only incidentally refute
Major Greek claims, by stressing what repute
The Persian monarch and the Persian nation
Won by this salutary demonstration:
Despite a strong defence and adverse weather
All arms combined magnificently together. 



[N.B. The Battle of Marathon (490 BCE) was an utter disaster for the Persians & a decisive victory for the Greeks.]

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James Joyce (1882-1941)

In the very last paragraph of Lars Porsena &c., after a brief four page analysis of James Joyce's Ulysses - the excellence or otherwise of which I am unable to comment on since I haven't read Ulysses, which fact is projected to be the subject of a future Bulletin - Graves suddenly makes some very insightful remarks about Shakespeare's Sonnets, which I want to reproduce here. This is the last paragraph in full:

"It is quite right that Ulysses should be censored since its chief public in England could at the best of times be only an obscene one: and it is not an obscene book, but on the contrary perhaps the least obscene book every published: that is why it is censored. And there is every reason why Shakespeare's sonnets should be censored at the same time, and more strictly, because the public blinds its eyes to the painful history that the sequence gives and makes it 'extravagant flattery of a patron' or 'an academic exercise'. Joyce is read as obscene instead of successfully past obscenity: Shakespeare instead of being read as pure lust is not even read as lusting."

This reminds me forcibly of Ted Hughes' brilliant description of the Sonnets in his Shakespeare & the Goddess of Complete Being :

"This 'total, unconditional love', wilfully subjecting itself to hardship & pain, worshipping the physical beloved (whether she likes it or not) as an incarnation of the Divine, animates the troubadours & Dante. Something of the same burns in the Sonnets, but with a difference, a rawness, an untheologized, surprised, private pain."

- Shakespeare & the Goddess of Complete Being (ISBN 0571166040), p.60

Ted Hughes (1930-1998)

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To finish, an account of what it was like to be at Waterloo by a soldier who was there. This is quoted in The Napoleonic Wars 1803-1815 by David Gates, which is where I found it; it comes originally from Adventures in the Rifle Brigade & Random Shots from a Rifleman by Captain Sir John Kincaid. The quote in question comes at the end of the following; Gates writes:

"Even if they were in a position to enjoy a bird's-eye view of a particular engagement - & very few of them ever were, if only because of the sheer size of Napoleonic battles - most ordinary soldiers were far too busy trying to keep themselves & their comrades alive to worry about the grander affairs going on around them. As an acquaintance of Captain Kincaid, the celebrated diarist, stated about Waterloo (or, at least, so Kincaid assures us):

'I'll be hanged . . . if I know anything at all about the matter, for I was all day trodden in the mud & galloped over by every scoundrel who had a horse; &, in short . . . I only owe my existence to my insignificance.'"

Juan Carlos

Juan Carlos I of Spain (b.1938)

Juan Carlos, the king of Spain, gave a rare interview to Spanish television recently. It was broadcast late on Friday night, January 4th. I happened to see clips of it on BBC News the next day: http://www.bbc.co.uk/news/world-europe-20917695 .I had two immediate reactions. I haven't seen a picture of Juan Carlos for ages, & I was shocked by how old he looked. (Taking a step back though, of course he looks old because he is.) My other reaction was how all of a sudden he so clearly resembles his ancestor, Charles IV. Again, this is not really surprising because he is after all a direct descendant. Judge for yourself:

Juan Carlos

Charles IV by Goya

The Family of Charles IV by Goya, 1800

 

Heredity, eh ?

Buying a Computer

SCENE: A SALESMAN is standing side-on to the audience just R of centre-stage. He is wearing cheap black trousers, a purple shirt & scruffy black shoes. Next to & behind him is a plinth, & sitting on that plinth is a sleek modern laptop, which is open; in other words, it is a demonstration model. These props denote 'computer shop'. 

Another man, a CUSTOMER, enters from the L.


SALESMAN: Hello.

CUSTOMER: I want to buy a computer.

S: What kind of computer does sir have in mind ?

C: I want summat that fucking works.

S: A-ha ! [Pause. Count to 4 taking 'ha!' as 1.] I can see sir is a man of discernment. No rubbish for sir !


C grunts non-committally.


S: In that case, permit me to show you [indicating laptop ] the Samsung SuperDuper Universal S. I think it will meet, if not surpass, even the most far-fetched of sir's requirements. Its operating system is of course the very latest, Windows 8, which powers all of sir's essential software, allowing easy & disappointment-free access to all the facilities & sites one would expect: Google, Facebook, Twitter, Youtube, I-player, Spotify, Itunes, Netflix & wireless printing. It has in addition the very latest anti-virus & privacy software. But that is not all.

C: No ?

s: No - not by a long chalk. This machine, this marvellous machine, is the key - for a risible £600 - to an entirely new, & - if I may say - higher, state of existence. It will make your morning coffee, mow the lawn, redecorate the house, walk the dog, & feed the baby. Tired of your wife ? This machine will arrange a divorce & supply you with a new wife, younger, more alluring & - above all - more compliant; a charming companion who will also be your amanuensis & chief disciple. It will make your children more intelligent. It will make YOU more intelligent, & also miraculously more attractive, a sort of cross between Daniel Craig & Professor Brian Cox. Possession of this unprecedented machine will transpose you magically from your present cramped abode to a mansion in Knightsbridge, where you will reign supreme, on the one hand a noted particle physicist & on the other a genius investor in the international money markets. You will be another Plato, another Croesus ! You will be worshipped, you will be adored, you will be fawned on by creatures you are too enlightened to spurn !


Pause.


S: Well - what do you think ?

C: Does it fucking work ?

S: Yeah, it fucking works.

C: I'll tek it !


Blackout.